The TIME review in 1944 was effusive in its praise of both the film, Meet Me in St. Louis, and its youngest star: “Now and then, too, the film gets well beyond the charm of mere tableau for short flights in the empyrean of genuine domestic poetry. These triumphs are creditable mainly to the intensity and grace of Margaret O’Brien and to the ability of director Minnelli & Co. to get the best out of her.”
Nearly 80 years later, Meet Me in St. Louis remains—thanks in large part to its inclusion of Judy Garland’s rendition of “Have Yourself a Merry Little Christmas”—a beloved Christmastime classic. The movie, based on author Sally Benson’s stories about her childhood in the Missouri city at the beginning of th…
In Netflix’s teen comedy Do Revenge, out Friday, queen bee Drea (Riverdale’s Camila Mendes) teams up with wallflower Eleanor (Stranger Things’ Maya Hawke) to take down each other’s enemies. The film, co-written and directed by Someone Great’s Jennifer Kaytin Robinson, is loosely inspired by Patricia Highsmith’s 1950 psychological thriller Strangers on a Train, in which two men decide to “trade” murders. (It’s also the inspiration for the 1951 Alfred Hitchcock film of the same name). No one actually dies in Do Revenge, but countless acts of character assassination are committed by these savvy young women. And in high school, a tarnished reputation is far worse than death itself. It&rsqu…
The word Nan Goldin kept using to describe her presence at New York’s Metropolitan Museum of Art, one night in February, for a screening of an Oscar-nominated documentary about her life and work, was surreal. It wasn’t that Goldin, a renowned photographer since the 1980s, was new to art-world accolades. But All the Beauty and the Bloodshed, a collaboration with Citizenfour director Laura Poitras, documents her crusade to get cultural institutions to cut ties with the Sackler family—the pharmaceutical dynasty that profited off America’s lethal opioid crisis. The film opens with a die-in that Goldin helped stage, in 2018, in the Met’s Sackler Wing.
Between then and now, the museum announced it would no longer accept donations …